| '...merely an antiquarian curiosity' : the purchase of the reliquary of St Lachtin's arm in 1884 | McEvansoneya, Philip | Article in Book | Four Courts Press | 2010 |
| 'Hottentot Venus': the Exhibition of Sarah Baartman in Dublin in 1812 | McEvansoneya, Philip | Article in Journal | | 2013 |
| 'Propaganda of Polishness by art' : cultural diplomacy in Ireland in 1937 | Lojewska, GabrielaMcEvansoneya, Philip | Article in Journal | | 2023 |
| A colourful spectacle restored : the state coach of the Lord Mayor of Dublin | McEvansoneya, Philip | Article in Journal | | 2000 |
| A “school of Irish letters” : Samuel Ferguson’s “fountain” series | McEvansoneya, Philip | Article in Journal | | 2021 |
| A “school of Irish letters” : Samuel Ferguson’s “fountain” series | McEvansoneya, Philip | Article in Journal | | 2021 |
| An Irish artist goes to Bath : letters form the John Warren to Andrew Caldwell, 1776-1784 | | Article in Journal | | 1999 |
| Creating history : stories of Ireland in art | McEvansoneya, Philip | Article in Journal | | 2017 |
| Cultural philanthropy in mid-nineteenth-century Ireland | McEvansoneya, Philip | Article in Book | | 2015 |
| Daniel Maclise and a bankrupt patron | McEvansoneya, Philip | Article in Journal | | 1996 |
| Decoding James Barry. Does "The Progress of Human Knowledge and Culture" by James Barry contain a hidden message? Such is the hypothesis behind a new study devoted to the murals that encircle the Great Room of the Royal Society of Arts in London | McEvansoneya, Philip | Article in Journal | | 2015 |
| From Drogheda to Jerusalem, and a riot : the travels of Thomas Brodigan of Piltown, 1845-1846 | McEvansoneya, Philip | Article in Book | | 2015 |
| Hazel Lavery : model, muse, mask | McEvansoneya, Philip | Article in Journal | | 2010 |
| History, politics and decorative painting : James Ward's murals in Dublin City Hall | McEvansoneya, Philip | Article in Journal | | 1999 |
| Hugh Lane and mural painting : designs for the Gallery of Modern Art in Dublin | McEvansoneya, Philip | Article in Journal | | 2003 |
| Lane's choices : Degas, Monet, Pisarro and Puvis des Chavanne's | McEvansoneya, Philip | Article in Book | | 2008 |
| More light on George Sharp | McEvansoneya, Philip | Article in Journal | | 2013 |
| More light on Margaret Stokes and the publication of George Petrie's 'Christian inscriptions in the Irish language' | McEvansoneya, Philip | Article in Journal | | 2011 |
| More on the RSAI and the publication by Margaret Stokes of George Petrie’s Christian Inscriptions in the Irish language | McEvansoneya, Philip | Article in Journal | | 2018 |
| Petrie and the Haldimand album | McEvansoneya, Philip | Article in Journal | | 2008 |
| RIA-recycled gold? Was the Royal Irish Academy involved in the recycling of gold antiquities? An interesting example of artefact biography | McEvansoneya, Philip | Article in Journal | | 2022 |
| The 'Ardrahan' brooch | McEvansoneya, Philip | Article in Journal | | 2010 |
| The black figure in Angelica Kauffman's Earl of Ely family group portrait | McEvansoneya, Philip | Article in Journal | | 2012 |
| The chaos of creation | McEvansoneya, Philip | Article in Journal | | 2007 |
| The exhibition in Dublin of Gericault's 'Raft of the Medusa' | McEvansoneya, Philip | Article in Journal | | 2008 |
| The provenance of a crucifixion plaque and a shrine figure | McEvansoneya, Philip | Article in Journal | | 2013 |