| Discipline, sentiment and the Irish-American public : Mary Ann Sadlier's popular ficiton | Howes, Marjorie | Article in Journal | | 2005 |
| Discipline, sentiment and the Irish-American public : Mary-Ann Sadlier's popular fiction | Howes, Marjorie | Article in Journal | | 2005 |
| How Irish maids are made : domestic servants, Atlantic culture, and modernist aesthetics | Howes, Marjorie | Article in Book | | 2009 |
| Introduction : toward a history of the Irish landscape | Howes, MarjorieO'Neill, Kevin | Article in Book | | 2003 |
| Irish literature in transition, 1880-1940 | | Monograph or Collective Volume | Cambridge University Press | 2020 |
| Melodramatic conventions and Atlantic history in Dion Boucicault | Howes, Marjorie | Article in Journal | | 2011 |
| Postcolonial Yeats. Culture, enlightenment and the public sphere | Howes, Marjorie | Article in Journal | | 2006 |
| Public discourse, private reflection, 1916-70 | | Article in Book | | 2002 |
| Repurposing things in Irish painting and the Irish Literary Revival | Howes, Marjorie | Article in Journal | | 2011 |
| Tears and blood : Lady Wilde and the emergence of Irish cultural nationalism | Howes, Marjorie | Article in Book | | 1998 |
| William Carleton's literary religion | Howes, Marjorie | Article in Book | | 2005 |
| William Lloyd Garrison, the Irish, and Imagining Transatlantic Abolition | Howes, Marjorie | Article in Journal | | 2022 |
| Yeats's nations : gender, class, and Irishness | Howes, Marjorie | Monograph or Collective Volume | Cambridge University Press | 1996 |
| Yeats’s nations : gender, class, and Irishness | Howes, Marjorie | Monograph or Collective Volume | Cambridge University Press | 1996 |