| 'Draw it not too rigidly' : Ulad and the cultural partition debate | McNulty, Eugene | Article in Book | University of Sunderland Press | 2005 |
| A terrible beauty is bought : 1916, commemoration and commodification | O'Malley-Younger, Alison | Article in Journal | | 2016 |
| A terrible beauty is bought : 1916, commemoration and commodification | O'Malley-Younger, Alison | Article in Journal | | 2016 |
| Celtic connections : Irish-Scottish relations and the politics of culture | | Monograph or Collective Volume | Peter Lang | 2013 |
| Doctors and devils : diagnosing racial degeneracy in Stevenson's Gothic fiction | O'Malley-Younger, Alison | Article in Book | | 2013 |
| Introduction | O'Malley-Younger, Alison | Article in Book | | 2011 |
| Introduction : twilight to tiger | Maley, WillyO'Malley-Younger, Alison | Article in Book | | 2013 |
| Ireland at war and peace | | Monograph or Collective Volume | Cambridge Scholars | 2011 |
| Lowering the Tone : Wolfe Tone in 1898 - commemoration and commodification | O'Malley-Younger, Alison | Article in Book | | 2013 |
| No country for old men : fresh perspectives on Irish literature | | Monograph or Collective Volume | Peter Lang | 2008 |
| Posing Paddy for empire : Dion Boucicault staging the 'Oirish' | O'Malley-Younger, Alison | Article in Book | | 2013 |
| Puffing patriotism or promoting profiteering : Dion Boucicault's Robert Emmet | O'Malley-Younger, Alison | Article in Book | | 2011 |
| Representing Ireland : past, present and future : a compendium of essays | | Monograph or Collective Volume | University of Sunderland Press | 2005 |
| Scotland is my home, but Ireland my country : the border crossing women of 1916 | O'Malley-Younger, Alison | Article in Book | | 2016 |