| 'Night’s Candles are Burnt Out', by Seán Keating (1929) | O'Connor, Éimear | Article in Book | Cork University Press | 2024 |
| (Ad)dressing Home Rule: Irish Home Industries, the Throne Room and Lady Aberdeen's modern modes of display | O'Connor, Éimear | Article in Book | | 2017 |
| America called : the Helen Hackett Gallery and the Irish art rooms, 1924-1934 | O'Connor, Éimear | Article in Journal | | 2011 |
| Art, Ireland, and the Irish diaspora : Chicago, Dublin, New York, 189301939 : culture, connections, controversies | O'Connor, Éimear | Monograph or Collective Volume | Irish Academic Press | 2020 |
| Bourke's dramatis personae | O'Connor, Eimear | Article in Journal | | 2010 |
| Conflicting visions in a turbulent age, 1900-1916 | O'Connor, Éimear | Monograph or Collective Volume | Crawford Art Gallery | 2016 |
| Emulation and legacy : the master-pupil relationship between William Orpen and Seán Keating | O'Connor, Éimear | Article in Book | | 2013 |
| Introduction : a view from everywhere | O'Connor, Éimear | Article in Book | | 2010 |
| Irish women artists, 1800-2009 : familiar but unknown | | Monograph or Collective Volume | Four Courts | 2010 |
| Living in good faith. Éimear O'Connor pays tribute to Margaret Irwin-West who quietly embodies Jean-Paul Sartre's dictum | O'Connor, Éimear | Article in Journal | | 2015 |
| Miss Battersby : a case study | O'Connor, Éimear | Article in Book | | 2010 |
| Seán Keating : art politics and building the Irish nation | O'Connor, Éimear | Monograph or Collective Volume | Irish Academic | 2013 |
| Seán Keating in context : responses to culture and politics in post civil war Ireland | Keating, Sean (1889-1977)O'Connor, Éimear | Monograph or Collective Volume | Carysfort Press | 2009 |