| 'A beacon-light to the oppressed of every land' : James Connolly and the work of the working-class intellectual | Kelly, Aaron | Article in Journal | | 2016 |
| 'As the snake it sheds its skin' - or how the Irish national ideal of the Irish national theatre was abandoned in favour of a corporate trademark, (1902-1906) | Vandevelde, Karen | Article in Book | Four Courts | 2001 |
| 'Utterly resigned terror' : the thriller and Northern Ireland since 1969 | Kelly, Aaron | Thesis | | |
| Critical Ireland : new essays in literature and culture | | Monograph or Collective Volume | Four Courts | 2001 |
| James Connolly's stations | Kelly, AaronKelly, Phil | Article in Book | | 2016 |
| The thriller and Northern Ireland since 1969 : utterly resigned terror | Kelly, Aaron | Monograph or Collective Volume | Ashgate | 2004 |
| The troubles with ther Peace process: contemporary Northern Irish culture | Kelly, Aaron | Article in Journal | | 2009 |
| “A beacon-light to the oppressed of every land” : James Connolly and the work of the working-class intellectual | Kelly, Aaron | Article in Journal | | 2016 |
| “A beacon-light to the oppressed of every land” : James Connolly and the work of the working-class intellectual | Kelly, Aaron | Article in Journal | | 2016 |