| 'I myself delight in Mis Edgeworth's novels' : gender, power and the domestic in Lady Gregory's work | Arrington, Lauren | Article in Book | | 2020 |
| Feeding the cats : Yeats and Pound at Rapallo, 1928 | Arrington, Lauren | Article in Book | | 2016 |
| Female rebels at the Royal College of Surgeons, 1916 | Arrington, Lauren | Article in Book | | 2015 |
| Irish modernism and its legacies | Arrington, Lauren | Article in Book | | 2016 |
| Liberté, égalité, sororité: the poetics of suffrage in the work of Eva Gore-Booth and Constance Markievicz | Arrington, Lauren | Article in Book | | 2016 |
| Revolutionary genesis? Jacob's biscuit factory and the transformation of Ireland | Arrington, Lauren | Article in Journal | | 2013 |
| Revolutionary lives : Constance and Casimir Markievicz | Arrington, Lauren | Monograph or Collective Volume | Princeton UP | 2016 |
| Socialist republican discourse and the 1916 Easter Rising : the occupation of Jacob's biscuit factory and the South Dublin Union explained | Arrington, Lauren | Article in Journal | | 2014 |
| Theatre of dissent: the historical imagination of the Irish
Workers’ Dramatic Company | Arrington, Lauren | Article in Book | | 2014 |
| Thesis abstract : Adding the halfpence to the pence : subsidy and censorship of the Abbey Theatre, c. 1915–1939 | Arrington, Lauren | Article in Journal | | 2010 |
| W.B. Yeats, the Abbey Theatre, censorship, and the Irish State : adding the half pence to the pence | Arrington, Lauren | Monograph or Collective Volume | Oxford University Press | 2010 |